Heir Apparent

Issue #47 March 2019

Thirteen Ways of Looking at a Teacher Resource | Brynn Saito

What types of memories have you inherited?

Stories live in me like sharp lightning flashes across a southern desert.



How have they been passed down to you?

She said: On the train

they packed us like sardines

or We drove our own cars to the camps

or I wore a button

during the war saying

“I am Korean” for protection.

Then, nothing.

Then the great seas of silence

death-quiet and dark

that swallowed us.

Then cans in the backyard,

crushed and recognizable.

Then wind in a box,

light in a box, azaleas.



What helps you remember them?

If you get your face quiet enough, what counts as your father’s shadow will speak through it.



How have they impacted your life?

Unknown.



Do you think they’ve changed over time?

Unknown.



Do any of these inherited memories relate to historical events?

I tell my students: There’s no part of you that goes untouched by the angel of history, wings pinned to the air by the storm of progress.



What memories of your own have you chosen to share with others?

The light sings itself awake.

I am awake at the turn

of the 21st century

and alive to the turning.

Did I ask too large?

I’m afflicted with desire

and the girlhood wish

to lay my body down

in the blue summer grass

lit and unlit by the flicker

of the setting light.

Though shapes and faces

sail down the bloodlines

though ghosts grow their nails

into me, I remain a romantic.

For years, I turned the fire

inward, bleeding to prove

how much I wanted to be here

and break the skin and belong

in ways undreamt by them

to the administered world.

What are the differences between memory and history?

One gives birth to fire and one gives birth to stones.



Do you think history is fixed or objective?

No.



What is the relationship between the past and the present?

Yes.



How do we make meaning from the past?

Yes.



How do you make meaning from the past?

See the writer again at the gate of memory?

See the writer again—

See the writer again at the gate?

Gate the writer again at the memory—

Gate the writer—

See the past again at the meaning gate?

Past the meaning—

Past the making, gate the memory—

See the meaning?

She should drown it.

Do you think we have a responsibility to the memories we inherit?

“Even the dead,” wrote Walter Benjamin, “will not be safe from the enemy if he wins.”