Heir Apparent

Issue #48 October 2019

Oceanic Bed Spread | James Shea

A silver thread connected to a butterfly

taking off into flight: I almost want to block it—

be blocked. Like a priest of feeling,

I had felt too deeply, identified too much

with the ball of my foot on the parquet.

I find obstacles rather peaceably

presented to myself, often by myself,

when I’m by myself, which is a way

of saying, if you want to be safe,

walk in a circle. Listen for a moment

while a backstory establishes who I am.

I am, in fact, mostly all backstory,

ushering forth into the breach.

















Poor Memorial

It’s difficult to point away

from what’s all around you.

Dusk among the Sunday people,

leaves fumbling the breeze.

I forfeit any claim to live alone

as one does not, or rather

as one does, but thinks not.

I cannot see myself without

conjuring the vision of no other person:

an empty flat, negative

of where we once lived,

as if even our ghosts were gone.

The seasons outgrow themselves,

break off into a fifth season—

I stand behind glass, staring

at the final leaves, frail divers

curled in upon themselves.

















Limited Eclipse

I sit at my desk, the wind outside

dismantling the pasture. Skull, my pillow.

Moonlight bisected by the window,

past my shadow, my past, the future:

a street of houses without doors.

The evening descends and lingers

in those moments when talking feels

more desolate than the night. Walk in a circle.

Forgive the night. Know the purpose

of self-confidence. Something anonymous

in the way I’ve presented myself tonight,

as if I were outside of my life,

an idea best approached by long-distance

correspondence or a shout from a field

very far afield. I take out my death

and lay it bare. Whittle myself to sleep.

















Tin Foil

A crow fell into a bucket.

I didn’t feel like eating.

I ordered three drinks.

There was bread and I ate of it.

I was almost almost no one.

I heard the waiter’s patter.

Tell the sun I’m done with it.

All the constellations, too.

I’m willing to start over.

Tell the sun I’ll take it back.

Tell the constellations, okay.

















Equipoise

Begin with the formal properties of a ghost:

You seem bound in mystery and loneliness.

I mean bound in mystery and openness,

for loneliness is a kind of openness.

No one’s as simple as one would like to be.

This might be the tipping point into happiness,

riding softly into the numinous landscape.

So much for private swallows of water.

We jumped at the first blush between us.