They Will Sew the Blue Sail

Joy Ride | Ron Slate

All the way down the street events occur

from which I’m held back, but in response to this embargo

their sounds and smells draw closer. An insult shouted from a passing car.

Burst of music and voices when the weathered door of the Knotty Pine

opens and two young women emerge, this was so many years ago,

they came out from the tavern and paused on the sidewalk

beside a black–and–white idling at the curb, the two cops

had disappeared around the corner to lift a trash bin

tipped into the gutter as a prank, and the women scrambled

into the police car and sped away down Hancock Street.

But between the opening of the door of the Knotty Pine

and the screech of tires, the women’s eyes swept over mine,

a hand gestured, and I got into the front seat with them.

There was the precipice, then the fall and tumble

flattening out into flight that in the span of my life

has never touched down, though when she who was driving,

she with the blue raincoat and clacking bracelet, said at the L Street bathhouse

you’re getting out, whoever you are, I did, and some minutes later

they were stopped by the Boston police as the Globe later reported

in the copy I bought from the box outside the Knotty Pine

and the apartment I rented above with the slanted floor,

a view of a row of stores across the street, now eight stories

of condos, from the higher floors you can see the bay

and the boulevard we raced down towards the city

listening to the dispatcher telling us to stop before things go

too far, how far is that? the other one beside me asked,

she with the ponytail lighting up one of the cops’ Marlboros,

her exhalations in my lungs,

                                          as years later on business flights to London,

Frankfurt and Singapore I inhaled everything depleted

and watched a film in which an anthropologist, having observed apes

attack their ape adversaries, still insisted humans are worth developing

even as some massacre or other was happening miles below

the refreshment cart coming haltingly down the aisle,

which makes me recall that the cops had also left behind, what else?

a bag of glazed doughnuts with which we took communion,

the rite of passage to another body by absorption, and truly

I’ve been so many persons and have carried them with me

from the beginning like some winged transport, de–iced

every morning and feeling upon waking as if someone

had been driving my car all night and tossed her trash

into the back seat while in dreams I eluded my enemies.

What has been withheld is fated to take form, the ancient laurel trees

are finally visible, all the way to Madeira I went to witness them

and the footpaths and irrigation channels, a craving for the memory

in the bodies of the landscape – the young women turned

into laurel trees, so the myth goes, in order to hide from Apollo—

a craving for anything that lasts longer than a few minutes of escape

which nevertheless are pitched against the years of dubious salaried effort

that demanded all my artifice and the emphatic movement of my hands

making a convincing case for what would master and dispose of me.

Office clothes I no longer wear, stuffed in a black plastic bag and shoved

into the Goodwill Industries receptacle, specifically the one

two blocks down from the Knotty Pine which took forty–five minutes

to get to, all the way with two remorseless young women

embodied in a radio song sung to whomever I am.