More recently, in works that address material culture, the object of art, and the dreamtime of the seeable, I seek tactics and metaphors, stratagems and voices structured into displays that overturn the pyramids of high and low. In language at once popular, elite, disciplinary, and insubordinate, my desire is attuned to how habits and language can galvanize individuals into cultural citizens. The settings travel over time and geography: a lens onto the transatlantic colonial project that telescopes out from the perspective of contemporary art.